The Gallery was a tool. The Republic is the Idea.

The Republic was not born as a theory. It grew out of Bannana Gallery — from real walls made of banana boxes, from exhibitions, interventions, and gestures in real cities.

What started as Bannana Gallery unfolded into the Bannana Republic of Art.
BROFA is the sovereign continuation of Bannana Gallery — a state built on thousands of real banana boxes.

Every Bannana Gallery is an Embassy of the Republic of Art.
BROFA is a moving utopia: a state, a myth, and a collective intervention.

It has no land, but it has citizens.
It exists in only one dimension: the territory of spirit, manifested through the gesture.

While contemporary art has spent decades criticizing institutions, we chose not to criticize. We created a parallel reality.

Bannana Republic of Art is an autonomous state.
Its president is the President of Emptiness.
Its power is not over territory, but over meanings.


Citizenship is earned through the gesture.
Make a gesture. Share its trace. Become a citizen.


We do not sell passports.
We do not claim land.


The Republic is a territory of meanings, not of meters.

Our passport is not an identity document.
It is a declaration of freedom.
It is earned through the gesture.


The Republic has no borders.
It manifests wherever someone builds walls and declares space.


We start with a box.
A box becomes a gallery.
A gallery becomes a movement.

The Republic is you.